A programmer, in thinking about how to configure the sound unit, came up with an idea, to use face recognition software to remember the viewer and triger the sound remotely from a computer in the exhibition space.
Nice! However, where to put the sensor on the piece? The idea of a lens peaking out from the side or the middle of the piece is inappropriate for this installation (although I have a thought on where it could exist on a future piece, already in the works). Had the pieces not been printed on paper, it would make it a possibility but then take away the massiveness of the piece.
The lens could be outfitted on both sides so the sound would exist only as long as a particular viewer lingered in front of the piece, but that affects how the sound would meld with others during the exhibition, altering the collaborative interactive experience.
Nice! However, where to put the sensor on the piece? The idea of a lens peaking out from the side or the middle of the piece is inappropriate for this installation (although I have a thought on where it could exist on a future piece, already in the works). Had the pieces not been printed on paper, it would make it a possibility but then take away the massiveness of the piece.
The lens could be outfitted on both sides so the sound would exist only as long as a particular viewer lingered in front of the piece, but that affects how the sound would meld with others during the exhibition, altering the collaborative interactive experience.
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