Lost temporarily in the production of an art piece is the
impetus for it. Now that plans for SIS’s completion are coming together, the
fingerprints of nuance are all that’s present, but they linger.
In an earlier post, I wrote about those long autumn nights
in Cologne. There are long nights coming up as I tape sound and assemble
everything. Plenty of time to think of what was, no longer is and how one impacts the other.
How to remember something? Someone? Their face through a fog
of events? Or just the replay of everyday life drifting like sand through a
sieve? Often I see images of Alex when he was little, as I saw him from the
living room window. He was playing in the street back in Queens where we grew
up. I remember the striped shirt perfectly. Oddly enough, it’s an image replayed long before he was
gone; I always saw him as a child, which isn’t fair, I guess, but that’s how
I’ll remember him.
In this week’s Rolling Stone, I read excerpts from Gregg
Allman’s memoirs, released 1 May. In it, he talks about losing Duane and
how he was angry at him for dying. I can identify with that feeling, although I
see Alex being gone as something that could have been avoided.
What did strike me was Allman's memory that, due to
circumstances, the last thing he said to his brother was a lie after an altercation. The last time I
saw Alex, we too, left acrimoniously.
Duane and Gregg Allman. This classic photo came from the web, of course. It's credited to Country Darlin', I don't know who shot it.
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